Tutorials

Going Up and Growing Out: How to go Blonde without Ruining your Length

I’ve always been something of a colour chameleon. From the moment I got my first whiff of peroxide, my hair has been red, blonde, black, and every shade in between. I was born with a mop of wild black hair and I grew up envying my more melanin-diverse classmates and relatives. As a kid, I dreamed of being a red-head. None of my friends had the exact shade of bright copper I coveted so I’m not quite sure where this dream was born, but it lasted until my parents allowed me some thick, 90′s-style copper striped highlights. I spent most of my teen and young-adult life in varying shades of red from copper to ruby to strawberry. In the years since I’ve written this blog alone, I’ve been different shades of blonde, violet, blue, lavender, red, and black. But I’ve been wearing my hair naturally for the better part of six months–needless to say, I’m getting bored!

hairsampler

My problem is, I’ve also been working on growing out a pixie. Keeping my hair colour-free is excellent for its strength and health while it gains some length, but I’ve never been a fan of my natural shade. I’ve also been dreaming (literally!) of going blonde again… so what’s a girl to do? Can you still colour your hair without growth-hindering damage?

From L'Oreal Professionnel's SS13 Collection

From L’Oreal Professionnel’s SS13 Collection

When you’re taking your hair to and from drastically different colours, there are some things you need to consider. First, think about what you have in mind. Is it darker than your current shade? When you go darker, you can use gentler formulas like ammonia-free demi-permanents that won’t cause as much trauma to the cuticle, the layer of your hair that keeps it soft and shiny. If you’re going lighter, is your hair previously coloured? Remember, colour won’t lift colour so you’ll have to bleach out your last shade before attempting your new, lighter one. I highly recommend you see a professional to bleach out old colour–there are too many variables to account for at home, such as the level of pigment your hair needs to retain for your new colour, the amount of damage the strand can take, and the pigments used to create your last shade: some contain compounds that cannot be bleached, and could injure you if attempt it.

Goldwell ColorZoom 2013

Goldwell ColorZoom 2013

If you’re working with your natural colour, think about how much lighter you’re aiming to go. Pros work on a level system, calculating the lightness of a shade on a scale of 1 to 10: 1 is the darkest, while 10 is a platinum blonde. It’s generally accepted that you can lift two to three levels with permanent haircolour, so if you’re only looking to up your shade by a little bit or just want to change the tone of your hair, permanent colour will probably do the trick. But in my case, I’m looking at a natural black around a level 2. The sandy blonde I’m coveting is probably a level 8 or 9, which means there are some six levels I need to lighten. This leaves me two choices.

The first choice I have is to bleach my entire head. Bleach is very harsh on hair, even if you’re using a cream or oil bleach formulated for use on the scalp. I’ve bleached from dark shades to platinum in the past, but unless you’re willing to get a “chemical haircut,” I don’t recommend it. It’s less traumatic to the hair to bleach up a few levels at a time, taking the time to condition and treat the hair in between.

The second choice is to highlight, highlight, highlight. If you’re not willing to subject your head to all-out bleaching, it can be easier to select a complimentary base and then add highlights of the desired colour. While you’re still using bleach to create the highlights, less hair is being exposed to the caustic chemicals it takes to see results. It’s also a more natural progression: going from dark to light overnight can be jarring. Regardless of how badly you want it, seeing that newly dyed hair in the mirror the next morning is a shocking and surreal experience. Lightening a few shades and foiling in highlights a little at a time will not only save you that morning-after shock, it can also save you some damage with proper treatment and care in between.  I recommend regular use of good quality conditioning products and hair masks to everyone, but it’s particularly important for chemical junkies and ladies growing length.

Wella TrendVision 2013, "Fusion"

Wella TrendVision 2013, “Fusion”

While I’d love to wake up tomorrow with a perfectly coloured, silky-smoothe blonde mane, but   that’s just a dream. If I want to continue growing out my cut, my best bet is to gradually colour up: select a workable base and gradually highlight towards my ultimate goal. Staying within my desired tonal range will keep me from getting discouraged, and keeping my hair in the best shape possible will keep me on track with my length. I’d still like to grow a few inches before putting dye-to-scalp, but at this rate that won’t be long at all!

Metamorphosis 32.0 – Metal Rabbit, a Lunar New Year look!

I am pretty sure I have told you, Interwebs, that this is my year. I knew on New Year’s Eve, 2010, that 2011 was going to be my year. I wore the flashiest, most celebratory makeup I could think up to let the New Year know I wasn’t kidding. …Now, February has rolled around, and realize this is the Lunar Year of the Rabbit! No wonder I was so sure about 2011! The Rabbit is the only Zodiac sign I have ever identified with (Sagittarius is really a joke), and I am so thrilled to celebrate and recognize it this year.

In order to ring it in properly, I organized a little event. I made tons and tons of food, and while the weather prevented most of my guests from attending (damn you, New Jersey!), I’m pretty sure the whole thing was still a success! I was the only Rabbit in attendance (along with several chickens, a snake, a dog, and a pair of rats), but I think I would have stood out anyway with this makeup:

After doing some research on 2011, I learned that this is the year of the Metal Rabbit (I’m a Fire Rabbit, but a Rabbit none-the-less), also known as the year of the Gold Rabbit, or White Rabbit. Not sure how “gold” translates to “white,” but hey! I had been thinking red and silver, but white worked really well with this look in the end.

A full list of products used:

Bare Minerals Foundation
ELF Booster in Shimmer
Kat von D Eye Primer in Skin
NYX Eyeshadow Primer in White
Sugarpill Pressed Shadows in Tako, Love+, and Bulletproof
Sugarpill Loose Shadows in Stella, Lumi, and Tiara
MAC Superslick liner in Nocturnal
Sephora liquid liner in black
MAC Zoomlash mascara
Urban Decay lipstick in Oil Slick
Zoya Nail Polish in Trixie (which you can’t see, but is totally worth mentioning as a gorgeous foiled silver!)

After applying my foundation as usual, I primed my eyes with Kat von D’s Eye Primer in Skin, adding a touch of NYX Primer in White to the inner corners. Then, using a large, fluffy brush, I swept Sugarpill Tako (matte white) in the inner corner and up over my brow. Using a smaller brush, I packed Sugarpill Love+ (matte red) onto the outer two thirds of my lid and blended out. You want to make sure the red is super bright! With just a touch of Sugarpill Bulletproof (matte black), I deepened the crease before dusting the entire eye area with Sugarpill Lumi (iridescent white-green). I wanted a bright, luminous look reminiscent of the moon. Next, I lined the entire eye with MAC Nocturnal liner (shimmering metallic silver), set with Sugarpill’s Tiara (metallic silver). With black liquid liner, I lined the outer half of the eye and created a severe, dramatic wing out and up towards the brow. Using an angled brush, I set the line and filled the brow with Sugarpill’s Stella (black with multicoloured microglitter).

For the cheeks, I pressed two fingers into Love+ and smeared them onto my cheeks at the bone. Using a dense, stiff brush, I blended out towards my apples and up towards my temples. This is one of my favourite ways to make a look super dramatic! With a fluffy, angled cheek brush, I applied a mix of Lumi and Tiara to the top of my cheekbones to highlight.

Amazingly, no one even questioned the makeup. It was the hair that raised questions.

My hair is usually teased to high heaven, but it usually sits sort of spider-like atop my head and into my eyes. No one seemed ready for the “cockatoo mohawk” that night. It’s hard to tell, but I sort of hacked off the sides of my hair. It took way less spray that way. (You also can’t see with the flash, but I had a good fist-full of glitter sprayed into that thing–couldn’t get my hands on Rabbit Ears, I had to do something! Also, why does it look like my nose is broken?)

And that’s how I rang in the Year of the Metal Rabbit! I would love to wear this look again, though, if I can find an appropriate venue. We’ll have to see what 2011 has in store!

Love you to the Moon and Back,

Luna Valentine

Metamorphosis 23.5 – Pink Champagne at Tiffany’s, my New Years FotD!

Hello, Interwebs! I wish I had something more exciting for you today, but I’ve been stuck in with a migraine the last few days and thought maybe I’d share with you some details on my New Years Eve look.

On Thursday night, the day before New Years Eve, I found myself watching Turner Classic Movies–which is actually one of my favourite channels during the holidays. It’s become something of a strange tradition to watch Meet Me in St. Louis on Christmas Eve, and there’s something so cozy about watching old films, curled up in a blanket, buried in pillows. So when Breakfast at Tiffany’s came on, I was thrilled to sit back and watch.

 

photo from Art.com

It’s undeniable that Audrey Hepburn’s look in that movie is classic. Her fresh skin and dreamy eyes, complete with thick lashes and glamorous 1960′s shadow still evokes intense feelings from beauty enthusiasts today. I knew I wanted to use it as inspiration for my look to ring in 2011. But I wanted to give it a more modern twist, a Luna-spin, if you will…I was originally planning a pink champagne-themed New Years getup, centering around MAC’s lip gelee in Sin-tillation, which I love. So I came up with this two-toned pink-and-black 1960′s cut-crease eye.

I have to admit, this was also an excuse to play around with my new Sugarpill Chromalust shadows. I love love love those shadows, with their bright, shimmering colours and super-smooth texture.

(forgive ridiculous fish-face) Basically, I applied Sugarpill Chromalust in Birthday Girl (a shimmery pastel pink) all over the lid. I then used MAC fluidline and a small-tipped brush to line the upper lid and define the crease, using Sugarpill’s Stella (black with rainbow micro glitter) to blend it inward. I used Sugarpill’s Decora (bright pink with blue/green iridescence) to deepen the lid and also as a blush, and used Sugarpill’s Lumi (white with blue/green iridescence) as a highlight on the brow bone, inner corners, lower lid, and cheekbones.

I really like the way this turned out, even if it isn’t as Audrey-inspired as it was originally conceived. It’s still super-retro yet ultra-modern, though if I were to do it again, there would definitely be false lashes involved!

Full list of products used in this look:

Bare Escentuals mineral foundation in Fair
Bare Escentuals mineral veil in translucent
Bare Escentuals all-over face colour in Clear Radiance
NYX eye primer in white
Sugarpill Chromalust in Birthday Girl, Stella, Decora, and Lumi
MAC fluidline in Blacktrack
MAC Zoomlash in Zoomblack
MAC glitter in Reflects Blue/Green (sprinkled in hair and on cheekbones)
MAC Lip gelee in Sin-Tillation

In the next few weeks, Interwebs, I hope to have some exciting new things for you. New art, explorations in new food, and new cosmetics reviews (I just placed an order with ELF–my first ever!–and there’s a 20% off sale at ULTA this weekend, where I plan to stock up on Yes To products). I hope you’re just as excited for this new year as I am!

Love you to the Moon and Back,

Luna Valentine